Daughter of Fortune by Isabel Allende

Passion is at the heart of this historical novel, where a young woman chases her lover from Chile to San Francisco during the Gold Rush of 1849.

Eliza has led a pleasant but sheltered youth, an orphan taken in by a spinster British woman and her businessman brother in Valparaiso, Chile. When she falls in love with a company clerk, her future as a society lady quickly evaporates: He leaves in the madness to find California gold, and she disappears to follow in a delusion of love and lust.

Her amazing adventure is quite a story. She falls in with the wrong people - who end up being the right people - and finds a family away from home. She meets people from all countries and all walks of life, living out a journey she never could have imagined: becoming an assistant to a Chinese healer, impersonating a man, playing piano in a brothel and more. It's only when she gives up her quest that she finds that happiness has been building all along.

Everything I Never Told You by Celeste Ng

When teenaged daughter Lydia dies, the hairline fractures in the Lee family shatter into insurmountable caverns between them. How did this happen? How many secrets do they each carry, anyway?

American-born Chinese James wants popularity and "common" experiences for his family, not the unique apartness he always felt. Marilyn wants her daughter to do everything she didn't. Nathan wants to reinvent himself at college, away from his family. Lydia wants to be free of the crushing expectations of her parents. And Hannah just wants to be noticed.

All this want, and no one's any good at expressing it. But that's true of many families, isn't it?

A strong theme in the book is the burden of expectations: what parents expect for and of their children, how children believe they should act to make parents happy, what we expect of others based on our preconceived notions. Ultimately it's that weight that wrecks them all.

I loved this book! While the book takes place in the 1970s, it's still a modern story with current themes and problems. You feel for each of the characters and the boxes they're trapped in; how can they burst free to really live? It's a familiar challenge.

Songs of Willow Frost by Jamie Ford

William Eng is the only Chinese child at his Seattle orphanage. On the boys' birthday (they're all celebrated at once - the girls get a different day), William is shocked to see his mother starring in the movie preview for an upcoming live movie-star appearance. You can imagine that a boy like William won't rest until he sees and speaks with the actress Willow Frost.

A few years back I loved Ford's Hotel on the Corner of Bitter and Sweet, and this one is just as good. The author does an fantastic job of really putting you into the American minority experience.

Bad things happen to William and his mother, Liu Song, but they aren't solely minority stories; during the depression and 1920s life was hard for many in Seattle and elsewhere, white or otherwise. But the fact that both characters are American-born Chinese (who have never been to China) does add a different flavor and accent to the story.

This story contains heartbreak and misfortune, but also innocence and optimism. And I never knew this real-world history about early American film (before Hollywood became our movie capital). Fascinating, and another great one for your book club to discuss.

The Star Maker by Laurence Yep

Overreaching, eight-year-old Artie gets caught in a bad situation. He just said he'll have so many firecrackers at the New Year's celebration that he'll give them to everybody in his family. But that's a big extended Chinese family, and that will cost a lot of money he doesn't have - and his older cousins (who goaded him into the brag in the first place) aren't going to forget this whopper of a story.

Misfit Uncle Chester sees himself in young Artie - the youngest kid everybody picks on, the one everybody loves yet nobody expects to amount to anything. Can Chester help Artie with the lie? Or will Artie get laughed at again?

This book will expose kids to some really great Chinese traditions and Chinatown culture. Yet it's not preachy or foreign - at heart, the book's about a regular kid, and his position in the family and his community at large. He's got real-kid problems, and a real, flawed family who loves one another.

I did think it's funny that while set in 1964, the book's got a hefty 2000-era disclaimers about the danger of fireworks. As a beloved children's book author, Yep's not willing to be accused of advocating dangerous behavior (although it's at the core of the story!).